Plan is underway for a multi-phase Permanent Structure Construction that follows the Agama and Vasthu Shastras
(temple science/architecture). The temples design will follow the Chola Dynasty (10th Century) style of South Indian
architecture.
Phase I
This Phase involves the construction of 7,600 square feet main temple, 200 parking spaces, and roadways. The temple will house the deities of Lord Maha Ganapati, Lord Siva, Goddesses Parvathi, Lord Balaji, Goddess Lakshmi, Lord Subramanya and Navagrahas in separate sanctum sanctorum. The Maha Mandapa will have an approximate seating capacity of 500 people. The construction of this phase is expected to be completed in about 12 to 14 months. This phase of construction will include the Raja Gopuram /Vimana structures (tower) and all the interior elements (Garbagrahas) and is estimated to cost approximately 1.5 Million U.S Dollars.
Phase II
This phase would enhance the features of the Temple with Indian art work on the Raja Gopuram, Vimanas, exterior wall, and the interior parts of the Temple. This part of the work will be performed by Shilpi’s (architects) from India. This is expected to take an additional two years of construction and an additional estimated cost of about Four hundred thousand dollars.
Master Plan
Initial drafts on a master plan for the fifteen-acre temple complex are underway. This includes provisions
for future expansion of the temple, cultural hall and cafeteria, residence for the priests, play area for children,
guest apartments, library, additional parking space and gift shop.
Architects
Several Sthapathis (traditional Indian Temple architect) were considered for the design of the project.
From among them, the members of the board approved the construction proposal submitted by Padmasri
Sri Muthiah Sthapathi. The schematic drawings from Sri Muthiah Sthapathi will be translated into construction
drawings by a team of local architects, headed by Navin Pathangay. A local construction company will then construct
the temple structure. A team of Shilpis(sculptors from India) under the directions of the Sthapathi
will work on Indianization of the structure (i.e. converting the masonry structure into an ornately sculptured and
architecturally attractive traditional Hindu temple).
